Thursday, 23 September 2021

The Coffee Pot Blog Tour presents: Bloody Dominions (The Conquest Trilogy, Book 1) by Nick Macklin


Book Title: Bloody Dominions

Series: (The Conquest Trilogy, Book 1)

Author: Nick Macklin

Publication Date: 28th June 2021

Publisher: Troubador Publishing

Page Length: 368 Pages

Genre: Historical Fiction


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Bloody Dominions

(The Conquest Trilogy, Book 1)

By Nick Macklin

Journey with those at the heart of the conflict as Caesar embarks on the tumul-tuous conquest of Gaul 58-51 BC. Book One 58-56 BC.

As Caesar’s campaign begins, tests of courage and belief will confront the three protagonists, shaping them as individuals and challenging their views of the world and each other:

Atticus – an impetuous but naturally gifted soldier, whose grandfather served with distinction in the legions;

Allerix – a Chieftain of the Aduatuci, who finds himself fighting both for and against Caesar; and

Epona – a fierce warrior and Allerixs’ adopted sister.

Experiencing the brutalities of conflict and the repercussions of both victory and defeat, Atticus, Allerix and Epona will cross paths repeatedly, their destinies bound together across time, the vast and hostile territories of Gaul and the barri-ers of fate that have defined them as enemies. In a twist of fate, Atticus and Al-lerix discover that they share a bond, a secret that nobody could ever foresee…

Trigger Warnings: Violence, attempted rape.


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A history graduate, Nick Macklin enjoyed developing the skills that would stand him in good stead during the extensive research he conducted prior to writing his nov-el. Whilst the ancient world unfortunately didn’t feature to any extent in his his-tory degree, (the result of failing miserably to secure the A level grades that would have permitted greater choice) he maintained a lifelong and profound in-terest in ancient history and especially the Roman Empire, continuing to read av-idly as he embarked on a career in HR. Over the next 30 years or so Nick occu-pied a variety of Senior/Director roles, most recently in the NHS. Unsurprising-ly, writing in these roles was largely confined to the prosaic demands of Board papers but Nick never lost the long-harboured belief, motivated by the works of writers such as Robert Fabbri, Robyn Young, Anthony Riches, Simon Scarrow, Matthew Harffy and Giles Kristian, that he too had a story to tell. When he was presented with a window of opportunity c3 years ago he took the decision to place his career on hold and see if he could convert that belief into reality. 

Nick always knew that he wanted to set the novel against the backdrop of a sig-nificant event/period in Roman history. Looking to narrow that down to some-thing offering the potential for meaningful character and plot development, but that hadn’t already received exhaustive coverage, he settled on Caesars tumultu-ous occupation of Gaul. Spanning 8 years, the prolonged clash of cultures of-fered ample opportunity for the kind of dual perspective from which he was hoping to tell the story, whilst the violent conflict provided a wealth of exciting material to explore the changing fortunes of war and its impact at a personal lev-el. The switching of allegiances, nations fighting for and against Rome also pro-vided the potential for some intriguing plot lines. As his research unfolded, he was also struck by just how heavily the Roman psyche during this period was influenced by the scare they had received 50 years earlier when Germanic tribes invaded their territories and defeated their legions. Seeing references to the vet-erans of that war watching their sons and grandsons enlist for a similar cam-paign, he started to think about developing that link on both sides of the con-flict. And so, the idea for the Conquest Trilogy was born.

In Bloody Dominions Nick has sought to produce a novel in which unfolding events are experienced and described from the perspective of protagonists on both sides of Caesar’s incursion into Gaul.  Conscious that the role of women in Roman fiction, Boudica aside, is largely confined to spouse, prostitute or slave, Nick wanted to ensure that one of his lead characters was female and a promi-nent member of the warrior clan of her tribe. The novel is driven by these char-acters but the framework against which their stories unfold is historically accu-rate, featuring actual participants in Caesar’s campaign and drawing on real events as they occurred. As such Nick is genuinely excited about his characters and the story they have to tell.

Nick lives in Exeter with his two daughters and is currently juggling work as an Independent HR Consultant with writing the second novel in the Conquest Tril-ogy, Battle Scars. 


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Friday, 17 September 2021

#New Release from Pam Lecky - Her Secret War available for pre-order now!


 

HER SECRET WAR by Pam Lecky

Published by: Avon Books UK/Harper Collins

Release date: 14th October 2021


A life-changing moment

May 1941: German bombs drop on Dublin taking Sarah Gillespie’s family and home. Days later, the man she loves leaves Ireland to enlist.

A heart-breaking choice

With nothing to keep her in Ireland and a burning desire to help the war effort, Sarah seeks refuge with relatives in England. But before long, her father’s dark past threatens to catch up with her.

A dangerous mission

Sarah is asked to prove her loyalty to Britain through a special mission. Her courage could save lives. But it could also come at the cost of her own…

 A gripping story that explores a deadly tangle of love and espionage in war-torn Britain, perfect for fans of Pam Jenoff, Kate Quinn and Kate Furnivall.


Available for Pre-order Now!

UK link: 

US link: 

Pam is an Irish historical fiction author with Avon Books UK/Harper Collins. Pam is represented by Therese Coen at the Hardman & Swainson Literary Agency, London.


Her Secret War, a WW2 thriller, will be released in October 2021. The second book in the series will be released in 2022.

The Bowes Inheritance, her debut novel, was awarded the B.R.A.G. Medallion; was shortlisted for the Carousel Aware Prize 2016; made 'Editor's Choice' by the Historical Novel Society; long-listed for the Historical Novel Society 2016 Indie Award; and chosen as a Discovered Diamond in February 2017.

June 2019, saw the release of No Stone Unturned, the first book in the Lucy Lawrence Mystery series, set in the late Victorian era. This was closely followed by the sequel, Footprints in the Sand, in March 2020, which is set in Victorian Egypt. Pam is currently working on the third book in the series.



Tuesday, 14 September 2021

Amy Maroney's Coffee Pot Book Club Blog Tour continues with an excerpt from Island of Gold (Sea and Stone Chronicles)




Book Title: Island of Gold

Series: Sea and Stone Chronicles

Author: Amy Maroney

Publication Date: September 8, 2021

Publisher: Artelan Press

Page Length: 380 Pages

Genre: Historical Adventure and Romance

 Follow the Tour!




Island of Gold 

(Sea and Stone Chronicles)

By Amy Maroney

1454. A noble French falconer. A spirited merchant’s daughter. And a fateful decision that changes their destiny forever.

 When Cédric is recruited by the Knights Hospitaller to the Greek island of Rhodes, his wife Sophie jumps at the chance to improve their fortunes. After a harrowing journey to Rhodes, Cédric plunges into the world of the knights—while Sophie is tempted by the endless riches that flow into the bustling harbor. But their dazzling new home has a dark side. 

Slaves toil endlessly to fortify the city walls, and rumors of a coming attack by the Ottoman Turks swirl in the streets. Desperate to gain favor with the knights and secure his position, Cédric navigates a treacherous world of shadowy alliances. Meanwhile, Sophie secretly engineers a bold plan to keep their children safe. As the trust between them frays, enemies close in—and when disaster strikes the island, the dangers of their new world become terrifyingly real. 

  With this richly-told story of adventure, treachery, and the redeeming power of love, Amy Maroney brings a mesmerizing and forgotten world to vivid life.


Read an Excerpt


Spring, 1440

Bruges, Flanders

The Portier family entered the church one by one. The warm, stale air smelled faintly of beeswax. Sophie followed Papa, Maman, and Grégoire down the main aisle of the nave to their appointed spot, about three-quarters of the way back from the altar. Behind the altar a three-paneled painting of saints and angels was affixed to the stone wall. Above it, a round window made of colorful stained glass let in filtered sunlight. Sophie stared up at it, mesmerized by the beauty. Ensconced between her parents, she did not hear Cédric de Montavon slip into the pew. Her family’s murmured greetings to him brought her back to the moment. She turned her head and met the falconer’s eyes.

He nodded at her in silence as he took his seat. Flushing, she lowered her eyelids. When she raised them again, he was still looking her way, a faint expression of surprise on his face. She was accustomed to seeing that expression on a man’s face when he first encountered her. Papa took great pride in the attention she attracted.

Like moths to a flame, he often said.

Usually, Sophie found the attention of men annoying. But this time, she felt a powerful tug of attraction. The heat in her throat and cheeks swept into her chest, then settled languidly just above her hips.

The priest began to speak. The familiar Latin words of Mass soon lulled her into a stupor. For a while she trained her eyes on the rosy light spilling forth from the stained glass window above the altar. Then she tried glimpsing Cédric de Montavon from the corner of her eye without turning her head.

She could see the falconer’s fine black leather boots, the dark green hose he wore, his hands resting on his thighs. His slender, sun-browned fingers were a stark contrast to her father’s plump white ones.

The priest droned on and on. She prayed for Mass to end.

Finally, it did. They all stood and filed back down the aisle through the tall doors of the church to the sunlit square beyond. It was a crisp spring day, with a gentle breeze that whispered over her cheeks. Sophie stood with Maman. They discussed the Flemish ladies’ elaborate head coverings, the fine drape of their cloaks, the foreign sounds of their language drifting overhead. Gregoire and the falconer chatted with Papa about business matters, about trade and war and commerce and tariffs.

Several merchants joined them, their attention focused on Monsieur de Montavon. They peppered him with questions about falcons and his work for the count. Sophie watched him respond, admiring his confident manner, the strong line of his jaw, the hard angles of his cheekbones. She stared at his well-formed lips, at his short, carefully-trimmed beard.

“Sophie,” Maman said. “Did you not hear Monsieur de Montavon?”

She scrambled to find her voice, feeling oddly shy.

“Forgive me, sir,” she murmured. “What was your question?”

“How do you find Bruges, mademoiselle?” he asked. “Is it to your liking?”

His brown velvet doublet was criss-crossed with green silk thread embroidered in a diamond-shaped pattern. She was struck with an impulse to run her fingers across the raised ridges of the thread.

“I have lost my heart to Bruges,” she admitted, favoring him with a smile. “I would like to come back every year. It’s a beautiful city, not like Toulouse at all.”

“And what is wrong with Toulouse?” Papa said, pretending to be hurt, but with a mocking gleam in his eyes.

While there were a few rich pastel merchants like him in Toulouse, the city of Sophie’s birth was essentially an overgrown farm town riddled with abandoned and decaying buildings, still not entirely recovered from the plague that had ravaged the world a few generations ago.

“Papa,” she laughed. “How can we compare the two? It is like comparing a stone with a pearl.”

Papa grinned. “Too true, my child. There are treasures to be found here and nowhere else. Like gyrfalcons.” He glanced meaningfully at Monsieur de Montavon.

“Indeed,” the falconer replied.

“Gyrfalcons!” a merchant cried. “Why, aren’t they the most costly birds on earth?”

Monsieur de Montavon shrugged. “It depends on the age of the bird, the color of its feathers, the condition of its health.”

“What color feathers are best, monsieur?” Sophie asked.

“White gyrfalcons are the most coveted,” the falconer responded. His eyes were brown, with flecks of green and gold that caught the light. “After the molt, of course, the feathers can change color. So a bird that begins gray can turn white. But one never knows if it will.”

Grégoire pointed at the doors of the church. “Look there. Isn’t that the Catalan we saw on the Norwegian’s ship?”

Sophie watched a dark-haired man with a short beard emerge from church in the company of two other well-dressed gentlemen.

“Yes,” Papa concurred. “One and the same.”

Perhaps sensing the eyes upon him, the Catalan glanced their way. For the second time in one day, Sophie felt the curious prickling sensation of attraction under a man’s scrutiny. He was nearly as handsome as the falconer, and more elegantly dressed.

“We were gaming on a Norwegian’s ship and met that man, an agent of the Knights Hospitaller,” Grégoire told the gathered men. “He was buying gyrfalcons for someone of great rank.”

“Perhaps the King of Cyprus,” mused Papa. “Imagine having a friend connected to the Cypriot court. The trade in camlets and cloth of gold would open up to us immediately.”

“Cloth of gold has gotten harder and harder to find,” one of the merchants complained. “The Genoese had a steady trade in it for a time, but pirates have made a mess of the shipping lanes in Greece. Sometimes Venetian merchants show up here with a few bolts, but the price!”

“Outrageous,” Papa agreed. “I’ve a mind to hire a gold-beater or two, set up an atelier, and make the blasted stuff myself.”

The men launched into a discussion about cloth prices and the perils of maritime shipping. Sophie had heard versions of this conversation too many times to count. Luckily, she stood directly opposite Monsieur de Montavon and had an unobstructed view of his face. He seemed distracted by the presence of the Catalan. He glanced at the man repeatedly. Then his expression tightened as the Catalan and his companions moved toward their group.

“We never had a chance to be properly introduced,” the man said in French, sweeping into a polite bow. “Those business transactions leave little time for pleasantries.” He looked straight at the falconer. “Your name, sir?”

The falconer gave a shallow bow. “Cédric de Montavon. And yours?”

“Nicolau Baldaia.” The Catalan turned to Sophie’s father expectantly.

“Henri Portier, at your service, sir,” Papa said. “And my son, Grégoire.”

The Catalan nodded at them both, then looked at Maman. “Madame Portier, I am honored to meet you,” he said without waiting for an introduction. His eyes slid to Sophie. “And who is this?”

“Our daughter, Sophie,” Maman said, hooking an arm around Sophie’s waist.

The gesture should have felt reassuring, but instead Sophie felt trapped. The Catalan’s bold stare was oddly possessive, as if just with a look he had taken ownership of her. A fragment of fear penetrated her consciousness. She longed to escape the Catalan’s inspection.

Fortunately, the merchants began to lob questions at him about his work for the knights, about news from Rhodes, about trade in far-off ports like Alexandria and Famagusta. Relieved, Sophie let her eyes drift back to the falconer just as he looked in her direction, his lips quirking in a slight smile.

Her heart thrashing like an eel in a basket, Sophie smiled in return.

This novel is available on #KindleUnlimited


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Amy Maroney lives in the Pacific Northwest with her family, and spent many years as a writer and editor of nonfiction before turning her hand to historical fiction. When she's not diving down research rabbit holes, she enjoys hiking, dancing, traveling, and reading. Amy is the author of the Miramonde Series, a trilogy about a Renaissance-era female artist and the modern-day scholar on her trail. To receive a free prequel novella to the Miramonde Series, join Amy's readers' group at www.amymaroney.com. 



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