Wednesday, 19 June 2013

The Cover Reveal of King’s Artesan (Artesan of Albia, #3) by Cas Peace



Many of you will know of Cas Peace and I am delighted to be part of her cover release campaign. Her series of fantasy fiction books is  growing almost as rapidly as her fan base.

Cas Peace was born in Hampshire UK, in 1957, and has lived there most of her life. Her first career was as a horse-riding instructor, and horses remain very close to her heart. She then spent 13 years working for the British Civil Service before leaving the UK to live in Italy for three years, 1991-1994. She speaks passable but by no means perfect Italian, and loves to return to Italy whenever she can.
 

 Cas's other great loves are anything to do with animals, especially dogs and horses, (she supports many animal charities) and also singing. Cas loves folk songs and along with her husband, who plays guitar, has performed in many a Southern England folk club. Sometimes they even asked her back! She writes folk songs to accompany her fantasy novels, and offers them as free downloads from her website.


SYNOPSIS: Artesan of Albia #3

The race for the Staff has begun.

Rykan’s Staff is vital to Sullyan’s survival. In order to retrieve it, Robin Tamsen must cross the Veils into Albia and go to Taran’s village. He arrives too late. 

Intent on reviving his own plans for conquest, Sonten forces Taran to reveal the Staff’s location. Outwitting Robin, he besieges the village of Hyecombe and takes possession of the Staff.

If Robin cannot stop Sonten taking the weapon back to Andaryon, Sullyan’s life and the lives of every Artesan are forfeit. Yet it is not just Sonten he must battle, but also one of his own. And the mysterious Albian Baron hasn’t abandoned his plans, either….




For more information about Cas and the wonderful world she has created, click on the links below.
 
AUTHOR LINKS:


Tuesday, 11 June 2013

Paula Lofting, author of Sons of the Wolf



Today I am pleased to introduce you to Paula Lofting, author of Sons of the Wolf. As well as telling you all about herself and her work she will also be giving away nine eBooks and one paperback. All you have to do to enter is simply email Paula at sonsofthewolf1066@googlemail.com for a chance to win. The drawing will be held on June 25th, and winners will be notified shortly after.
What inspired me to write my novel: My journey



Thank you Judith, for allowing me to do this guest blog on your fabulous blogsite. I am Paula Lofting and apart from writing I am a Psychiatric nurse and mum to Connor 17, Catherine 18 and Ron 25. I write historical fiction and I also re-enact the period I am currently writing about, with an organisation called Regia Anglorum. 

I have always loved history right from a small child when I started reading books like Dawn Wind and The Eagle of the 9th Chronicles by Rosemary Sutcliffe and then as an older child, Leon Garfield and Charles Dickens. Later influences came from Jean Plaidy, Bernard Cornwell, Mary Stewart, Edith Pargetter and Sharon Penman. I’m sure there are many more I have forgotten. After dabbling in different eras, I think I found my niche in the medieval period when I became an avid reader of Sharon Penman’s books. 

The pre-Conquest era, which is currently my favourite period of interest, really only came to the fore for me about 7 years ago when I attended a re-enactment of the Battle of Hastings and although I knew about this period very well, I hadn’t realised what a tragic story emerges from that fateful day, for King Harold and the people of England. I wanted to know more and I remembered a book I had read when I was about 17 called The Golden Warrior by Hope Muntz. I remembered I really enjoyed it, but back then my obsession with Harold and the 11thc was not even a twinkle in my eye. That’s also when I got into re-enactment because having been inspired enough to write a book set in this period, I also wanted to know what it felt like to live in those days.

So, my long awaited novel that I had wanted to write all my life had begun to form. The reason why it had taken so long to happen was that for much of my life I had been engrossed in other things and my creative streak had been oppressed by some difficult life events. I’m of the belief that in life, things happen when they are meant to and this was the time for me to write my book. I was ready.  I piled into loads of reference books and dug out some older books I had hanging around from earlier days, such as Frank Stenton’s Anglo Saxon England and looked for the primary sources in them. My favourite and most treasured acquisition was the Anglo Saxon Chronicles which is a fantastic guide for what happened when. The sad thing about the AS Chronicles is that it was written by some very lazy scribes, either that or the information was not available for them. It does not go into great detail of events and I have had to supplement the information with other works and my imagination.

Before I got too far into my research, I needed to think about a plot and some characters for my book. I wanted to write with Harold as the main character, however I had read the wonderful Harold the King by Helen Hollick which was a new version of his story and because she had written such a brilliant book for him, it was going to be a hard act to follow. So I began searching my mind for a character and a plot and found further inspiration in a book called 1066 Year of the Conquest which was written by David Howarth.  In it he describes the year of 1066 from the perspective of the ordinary folk, particularly focusing on his home village of Little Horsted and the surrounding areas. David Howarth has written many books on naval history but I believe this was the only one in this era. By his own admission, It was not intended as an academic book, but written very simply, relating the events to how it might have affected the people of these Sussex villages in the 11th c. Through the Domesday book, we are able to identify who owned land in the various villages, hamlets and towns of Sussex.  Horstede (as it was called back then) belonged to a man called Wulfhere who held 5 hides and 30 virgates from King Edward the Confessor. The amount of land Wulfhere held meant that he was a thegn, (pronounced thane) and as such would owe military service to his King for his land.

David Howarth’s writings conjured up images in my mind of a strong warlike man, his longhall, the central feature of a homestead surrounded by a wooden palisade. He lived with his family, and the tenants (his villagers) who shared feasts with him around his hearth. I saw the forest which surrounded the village and the children who ran through it, playing amongst the trees and swimming in ponds damned by rocks. I pictured a man who was returning home from battle with his loyal right hand man to be met with this wonderful scene:

Smoking hearth fires billow out of the homes that line the pathway to his hall. He waves and smiles as his tenants come out of their cottages to greet him. He is filled with joy as he reaches his gatehouse and crosses himself as he passes by the little chapel, giving thanks to the Lord that he is home at last. His heart swells with delight upon hearing the laughter of his children as they run to him with excitement.  

Suddenly a story began to unfold in my head and I realised that at last, I had my main character, Wulfhere. Nothing was known about him other than what we can find in the Domesday Book. In order to add a tiny bit of realism, I have used the names from the Domesday book for some of the other characters. As with Wulfhere, nothing is really known about them, other than what they owned. So for Wulfhere and his friends, I created lives and personalities and that is how Sons of the Wolf began.

The story centres on Wulfhere mainly and his family but we also see historical characters like Earl Harold Godwinson and his brothers, Edward the Confessor and his wife Edith and various others. Wulfhere is a King’s thegn by hereditary right but he is commended to Harold and as thus is bound by oath and loyalty to serve him. When his oldest daughter, the wilful and headstrong Freyda, embarks on a forbidden relationship with the son of Wulfhere’s adversary, Helghi of Gorde, old enmities between the two men are re-opened and in order to restore peace to his jurisdiction, Earl Harold orders the two men to allow their children to plight their troth, using the ancient philosophy of a woman being the ‘peaceweaver’ in a feud. Although Wulfhere agrees, he is not happy with the situation. The rivers of resentment run deep between him and Helghi and he finds the idea of his daughter wed to the son of his nemesis unpalatable. Urged on by his demanding wife, Wulfhere has to find a way to extricate himself from the contract with Helghi without compromising his loyalty to his lord.

Sons of the Wolf is also about battles and skirmishes, love and betrayal. On bloody fields he fights for his life, but sometimes the enemy is closer to home.

You can read more on my Sons of The Wolf blog  http://paulalofting-sonsofthewolf.blogspot.co.uk/

And also http://paulaperuses.blogspot.co.uk/  and http://threadstothepast.blogspot.co.uk/ which is about the Bayeux Tapestry.



Available also in the US and on kindle.

And soon to follow, the sequel The Wolf Banner, will be launched later in 2013
 
P                      Paula's  website: www.paulalofting.comhttp://paulalofting.com


Tw                Paula on twitter: http://twitter.com/paulaloftinghttp://twitter.com/paulalofting


in                  IndieBrag: www.bragmedallion.comhttp://www.bragmedallion.com

Wednesday, 8 May 2013

The Elephant in the Beer Garden



There are people who will tell you that nothing much has ever happened in Ceredigion. A trawl through historic local newspapers will confirm that aside from shipwrecks, poisonings, the starving Irish dying in the ditches, there was nothing of much consequence to report in the 1840’s. Of course, what was considered ‘nothing much’ then would now be viewed quite differently. The present only becomes interesting once it has passed.

Tregaron is located in the upper Teifi Valley alongside the River Brennig in Ceredigion, West Wales. For hundreds of years cattlemen drove their herds through the town, and its twelve pubs and fourteen brothels kept the local clergy very busy in their perpetual war against vice. In many respects the town could have been mistaken for the Wild West but to the local inhabitants, of course, nothing much ever happened.

The Talbot Hotel - photo Janey Stevens
So, when on the evening of the first Friday in July, 1848 the outlying leafy lanes and villages were suddenly filled with the brash glamour of Batty’s Travelling Menagerie, the people streamed from their houses to witness it, and the church officials tightened their belts and braced themselves for trouble.

Tregaron Square circa 1885 courtesy of NLW
Accustomed only to cattle, sheep and the odd flock of geese, the local populace watched in glee as the procession of caravans, horses, bears and, most startling of all, elephants, rolled into town.

Many were so caught up in the excitement that they skipped church, preferring to witness instead the ‘wonderful spectacle’ of the travelling show. An angry cleric, reporting to the Carmarthen Journal, denounced the troupe as a ‘shocking outrage’ and a ‘desecration of the Lord’s Day.’ A judgement that, for many, possibly served to increase the show’s appeal.

There are several different versions as to what happened next but the following Friday the pages of the Carmarthen Journal carried a more sombre story reporting the death in Tregaron of ‘no less illustrious a personage than one of Batty’s young elephants.’ (Carmarthen Journal 14/07/1848).

Some reports state that the elephant drank water contaminated by a lead mine and died shortly afterward. The travelling show moved on, leaving either a dying or dead elephant behind. To this day the local legend persists that the unfortunate elephant was buried by local people behind what is now the Talbot Hotel and, over a hundred and fifty years later, you will still find the story thriving.


Another Jumbo of similar fame who died in Ontario
Jwmbi, as the elephant is affectionately known, is not the only elephant to have visited West Wales, and he wasn’t the last, but something made this one special. The local inhabitants took him into their hearts and adopted him as their own. The real ‘truth’ of the matter has become blurred, leaving just a few facts to become embedded in local folklore. The details of the matter, the circumstances of his passing, the precise site of the burial remain unclear, the crux of the story is simply this: ‘We have an elephant buried behind our pub.’ 

Until, of course, someone decided to dig him up.

For the second time in two hundred years Jwmbi the elephant was causing a stir in Tregaron and, long before people were digging up kings in Leicestershire car parks, archaeologists were digging up a beer garden in Tregaron - looking for Jwmbi.

Press came from far and wide, and as the story spread, the reporting became tinged with disdain, the reporters speaking in slighting terms, as if it were the local people that were delusional, chasing rainbows. But it wasn't us, we knew the truth.

Of course, apart from some Victorian pottery and some sheep’s teeth, (there are a lot of sheep’s teeth in Wales) they didn’t find anything but that hasn’t dented local faith in the ‘truth’ of the elephant story.

What the ‘experts’ failed to see is that the actual bones aren’t important, digging for the ‘truth’ of the matter is irrelevant. The thing that matters is that local people ‘know’ the elephant is in the beer garden – end of. The joy of that long ago day when the travelling menagerie came to town, is relived every time someone tells the story. That is the important factor.

This frantic search for ‘historical truth’ is becoming more widespread lately, revisionist histories are springing up all the time, and as a historian, I do share that niggling need to discover ‘true facts’. But, sometimes I think we dig too deeply. We must take care. It is one thing to reconsider the personality/motives of a historic personage in an attempt to help us understand, but there are some things that are perhaps better left alone.
Society needs its legends and myths, we always have done, and when we pull out the bones of a legend and shine the crude light of the 21st century upon them, what do we find? 

A heap of old bones, that is all.

As a child I loved the old tales of wicked kings, heroic knights, imprisoned damsels, helpless pawns – couldn’t we keep some of that? If we see all our legendary baddies as unfortunate, psychologically scarred victims, and our oppressed princesses as hard nosed social climbers – where is the romance?

Wasn’t it the romance that brought us all to love history in the first place? There will always be a place for ‘truth’ and a place for ‘romance’ but maybe we should be careful not to blur the two. For by uncovering the mystery we are in danger of stripping away the very enigmas that intrigued us in the first place. If we prove all our misconceptions to be nothing more than flights of fancy, there might be nothing left to love, which may result in fewer  newcomers becoming interested in history and, in turn, make the job of the historical fiction author obsolete. Fiction isn't about truth is it? The very definition of the word is 'Invention or fabrication as opposed to fact.'

The story of Tregaron’s elephant, and many other stories, is as true as it needs to be. The tale has become part of Welsh heritage and as such engages the present generation with their own past. It attracts visitors to the area who, although they may not be able to view a fully reconstructed pachyderm skeleton, will get a jolly good meal in the Talbot with a good yarn thrown in for free. People love tales of the past, we all do, and story tellers like to make them up. The thing that makes fiction great is its lack of truth.

And there are a lot more brilliant stories to be told in and around Tregaron, not just the elephant. There is the story of Twm Sion Cati – a local baddie of historic fame; there is the timeless scenery and wildlife of Tregaron Bog, the buzzards and red kites that soar above it …I could go on. The elephant is just a part of all that, part of what makes West Wales, West Wales ... and that is all the ‘truth’ we need to know.

With special thanks to Janey Stevens for her lovely photograph of the Talbot Hotel. More of her pictures and greeting cards can be found on her Face Book page: JaneyStevensPhotography

Judith Arnopp is a historical novelist. Her books include:










































You can find more information here: Judith Arnopp
and purchase her books here: amazon.co.uk
and here:amazon.com