Showing posts with label Tudors. Show all posts
Showing posts with label Tudors. Show all posts

Friday, 13 June 2025

Interview with Audio book Narrator Alex Lee.



Today I'd like to do something a  bit different and introduce you to the lovely lady who narrates my books for Audible listeners. For once she has stepped away from the microphone and written a lovely piece. Take it away Alex Lee!

Hello, thank you for hosting me on your blog, Judith. It is great to be here.


There is something transporting and magical about bringing stories to life as a voice actor, escaping some of the day to day stresses and worries and settling down – even if it means disappearing into my converted cupboard under the stairs LOL, to sit motionless in front of an ipad and microphone and  begin to  inhabit  the characters in the books you are narrating.  Feeling and expressing their thoughts, hopes, loves, fears and intentions is the next best thing to stage acting !!.

Narrating and producing audio books, ticks every creative box for me. Being given the opportunity to add another  dimension to an author’s words and plot, giving their cast of characters a range of voices, accents, ages personalities, attitudes and emotions is a huge privilege and a thing I love to do.

I have been lucky to have narrated almost 100 titles across many different genres including, cosy murder mysteries, (currently working on five series) historical fiction, psychological thrillers, romance, literary classics, children’s literature, biographies, adventure, comedy, science fiction and poetry.

I have been so lucky to work with the multi award winning author Judith Arnopp.  I auditioned a few years ago now for Judith’s trilogy, The Beaufort Chronicle but missed the boat as when I went to upload the audition the title had disappeared because Judith had found another narrator. How glad I am that I decided to e-mail Judith and send her my audition - asking if I might be a fit for any of her other books.  Although I was too late for The Beaufort Chronicle Judith thought my voice would suit Anne Boleyn. I was so thrilled, and went on to record one of my favourite of Judith’s books   The Kiss of the Concubine.

I loved narrating this fresh look on Anne and Henry. All Judith’s books have great character development, flowing prose that is a joy to read so that you immerse yourself in the plot.  Another great favourite for me was The Winchester Goose and in particular voicing a Tudor tart with a heart, Joannie Toogood.  Huge fun.

I also narrated Intractable Heart, the story of Katheryn Parr so I have been very close to most of Henry VIII's queens now and love the atmosphere of the Tudor court she creates where you can almost smell it.


I have recently completed A Daughter of Warwick: the story of Anne Neville who was queen to Richard III. It is extraordinary how we know all about Richard yet next to nothing about Anne. Although Judith worries it is not her best work as she wrote it very early on in her career, I enjoyed it immensely. You can listen to a sample on the audiogram below.

Contacting Judith was serendipitous as it marked the beginning of what is now a great collaboration I have now narrated seven of her wonderful titles. I am hoping that I may get to voice the fierce, furious and fabulous queen,  Marguerite of Anjou in her new novel, Marguerite: Hell Hath No Fury! in the future.

Thank you so much for joining us today Alex Lee, our collaboration has opened up a whole new avenue for me as an author.

Here is a link to Alex Lee webpage so you can check out her work with other authors. https://www.alexleeaudio.uk/


You can find my audio books on Audible. If you'd like a FREE listen code for any of the books mentioned, you can approach either Alex or myself, tell us if you need a UK or a US link and we will send one to you.

www.judithmarnopp.com

author.to/juditharnoppbooks

Sunday, 5 November 2023

Delighted to welcome Wendy J Dunn to the blog to talk about her latest release. Henry VIII's True daughter.

 


Hi Wendy, Thank you so much for agreeing to join me on the blog. I cannot wait to read your new book about Catherine Carey. How did you come to write this book and this subject in particular?

 When Pen and Sword Books included that question as part of their promotional materials, I decided I would take up Judith’s lovely offer of writing something for her blog and provide an answer.  

 I confess. Writing Henry VIII’s True Daughter: Catherine Carey, A Tudor Life hadn’t been on my bucket list of things to do in my life. Yes, sometimes, I had thought of writing a nonfiction book about the Tudors, but my writing passion is to write novels. That gave me plenty to do in my writing life. Yet, in 2020, someone unexpectedly approached me on twitter. Of all things, a commissioning editor for Pen & Sword Books. They asked if I was interested in writing a Tudor non-fiction book for this history publisher.

 Before I responded in any way, it was my turn to check out this unknown person. Was I being scammed? I asked myself. ‘Tricked?’ To my surprise, I discovered this person was indeed a commissioning editor. I became curious, and asked them, ‘What kind of project?’ They replied to that question by giving me three projects to choose from. They obviously had done their homework in establishing my Tudor interests. All three projects intrigued me, but one more than simply intrigued me. It called for me to discover more about Catherine Carey, one of my favourite Tudor people, the person I gave voice to in The Light in the Labyrinth, my second Anne Boleyn novel. 


Catherine Carey is yet another woman almost forgotten by history. As a writer of fiction, I welcomed that gap. It both invited and gave me the freedom to imagine her as a teenager witnessing the final year of Anne Boleyn’s life. Now offered with the opportunity to return to investigating her life and find the evidence that would offer strong proof for me to argue that she was what I believed; she was Henry VIII’s true daughter, was too hard to resist. I soon signed a contract to begin my research.

 David Starkey once remarked, ‘We really should stop taking historical novelists seriously as historians. The idea that they have authority is ludicrous. They are very good at imagining character: that’s why the novels sell. They have no authority when it comes to the handling of historical sources. Full stop.’

It strikes me that, by approaching me to write this book, Pen and Sword Books must see things differently to Dr Starkey. They must take historical fiction writers seriously to commission them to write nonfiction works. 

I understand why.  Like I said, I am primarily a writer of historical fiction. I have written historical fiction for decades. One reason I have only published four novels is because of the extensive research put into writing each novel. Even my unpublished novel set in 2010 about a woman writing a Tudor novel – a novel I hope to find a good publisher for, if not self-publish it myself – involved extensive research. Yes, Dr Starkey, I handle historical sources, but I use them in my novels in a far different way than in a work of nonfiction.

 Historical fiction demands a lot from writers. It is not only is a multifaceted genre that uses history for its storytelling, but one involving ethics – simply because we give voice to the dead. I spent many sleepless nights struggling with this. I can only go on with my story knowing I have respected my historical people by all the research I have done to tell my imagined story well. 

 I have never met a fellow writer of historical fiction who has not loved research. We all pride ourselves on the research we do. But research is always for the purpose of writing fiction – and to inspire imagination. Kundera (2003, p. 44) writes, ‘…fidelity to history is a secondary matter as regards the value of the novel. The novelist is neither historian nor prophet: he is an explorer of existence’. In other words, research is the means to write fiction that sets out to create the past and its people. Research illuminates that ‘The past is another country; they do things differently there’ (Hartley 2004, p.5).

 I can now say the same of researching a work of nonfiction set in the past. Each of my novels has been a writing adventure I embarked on and successfully accomplished. I did not expect that my nonfiction book would also become a wonderful writing adventure, too. It deepened my knowledge about Catherine Carey, as well as reassured me that my fictional reconstruction of her was still safe in the realms of possibility. It also increased my knowledge about her Tudor world. I love learning more about the Tudors, and having people step out as vivid and powerful personalities. People like the spellbinding Elisabeth Parr, a woman deserving so much more attention by historians. Because of writing this nonfiction book, I even have a new history crush – Dr John Dee. And that’s despite his beard. I am like Katherine of Aragon. Bearded men are not my thing.  I knew of Dee before, but now I want to know so much more about him. 

 But what really came even more home to me in writing Henry VIII’s True Daughter: Catherine Carey, A Tudor Life was what I see as one of the tragedies of history. History has forgotten far too many women. Women whose lives provide simply footnotes to the lives of their menfolk. History writes of their lives with such brevity that it breathes the appalling nature of our recent past. Being born in the female gender simply resulted in the erasure. If we do not restore the stories of women from the past to recorded history, then half our human story remains hidden in the dark. One reason I signed to new a second nonfiction work on another little-known Tudor woman is that I feel more committed than ever to return women’s stories to where they belong – as an equal part of our shared past.   

 What I hope I have achieved with my first nonfiction work is that readers will see her as I do – a fascinating, intelligent woman with power. True power. Catherine is an important player in the story of Elizabeth I. She helped shape her into the queen England calls Gloriana to this day. Henry VIII’s True Daughter: Catherine Carey, A Tudor Life shows how much Catherine deserves that recognition.  

 

Wendy J. Dunn is an award-winning Australian writer fascinated by Tudor history – so much so she was not surprised to discover a family connection to the Tudors, not long after the publication of her first Anne Boleyn novel, which narrated the Anne Boleyn story through the eyes of Sir Thomas Wyatt, the elder. Her family tree reveals the intriguing fact that one of her ancestral families – possibly over three generations – had purchased land from both the Boleyn and Wyatt families to build up their own holdings. It seems very likely Wendy’s ancestors knew the Wyatts and Boleyns personally. Wendy is married, the mother of three sons and one daughter—named after a certain Tudor queen, surprisingly, not Anne. She is also the grandmother of two amazing small boys. She gained her PhD in 2014 and loves walking in the footsteps of the historical people she gives voice to in her novels. Wendy also tutors at Swinburne University of Technology, Australia.


You can find out more about Wendy and her books HERE


Website: http://www.wendyjdunn.com/

Twitter: @wendyjdunn

Instagram: @wendyjdunnauthor

Facebook: https://www.facebook.com/authorwendyjdunn

Goodreads: https://www.goodreads.com/author/show/197156.Wendy_J_Dunn

Bookbub: https://www.bookbub.com/profile/wendy-j-dunn

Bluesky: @wendyjdunn.bsky.social

Dr Wendy Dunn - Academic Tutor and Lecturer. - LinkedIn

 https://au.linkedin.com › dr-wendy-dunn-6358181a

Newsletter: https://tinyurl.com/2sajpkc9

Saturday, 10 April 2021

Tony Riches has a New Release in his Elizabethan series!

 


ESSEX - Tudor Rebel

Book two of the Elizabethan Series

New from Tony Riches, Author of the best-selling Tudor Trilogy

Robert Devereux, Earl of Essex, is one of the most intriguing men of the Elizabethan period. Tall and handsome, he soon becomes a ‘favourite’ at court, so close to the queen many wonder if they are lovers.

The truth is far more complex, as each has what the other yearns for. Robert Devereux longs for recognition, wealth and influence. His flamboyant naïveté amuses the ageing Queen Elizabeth, like the son she never had, and his vitality makes her feel young.

Robert Devereux’s remarkable true story continues the epic tale of the rise of the Tudors, which began with the best-selling Tudor trilogy and concludes with the reign of Queen Elizabeth I. 


Buy Links Amazon US Amazon UK




Tony Riches is a full-time UK author of best-selling Tudor historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and the lives of the early Tudors. Tony’s other published historical fiction novels include: Owen – Book One Of The Tudor Trilogy, Jasper – Book Two Of The Tudor Trilogy, Henry – Book Three Of The Tudor Trilogy, Mary – Tudor Princess, Brandon – Tudor Knight and The Secret Diary Of Eleanor Cobham. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on  Facebook and Twitter @tonyriches



Tuesday, 1 October 2019


Katherine - Tudor Duchess
New from Tony Riches, Author of the best-selling Tudor Trilogy
Available in eBook and paperback from Amazon UK and Amazon US
(Audiobook edition coming in 2020)




Attractive, wealthy and influential, Katherine Willoughby is one of the most unusual ladies of the Tudor Court. A favourite of King Henry VIII, Katherine knows all his six wives, his daughters Mary and Elizabeth and his son Edward.

When her father dies, Katherine becomes the ward of Tudor knight, Sir Charles Brandon. Her Spanish mother, Maria de Salinas, is ueen Catherine of Aragon's lady in waiting, so it is a challenging time for them all when King Henry marries the enigmatic Anne Boleyn.

Following Anne's dramatic downfall, Katherine marries Charles Brandon, and becomes Duchess of Suffolk at the age of fourteen.After teh short reign of young Catherine Howard, and the death of Jane Seymour, Katherine and Brandon are chosen to welcome Anna of Cleves as she arrives in England. When the royal marriage is annulled, Katherine's good friend, Catherine Parr becomes the king's sixth wife, and they work to promote religious reform. Katherine's young sons are tutored with the future king, Prince  Edward, and become his friends, but when Edward dies his Catholic sister Mary is crowned queen. Katherine's Protestant faith puts her family in great danger - from which there seems no escape.

Katherine's remarkable true story continues the epic tale of the rise of the Tudors, which began with the best-selling Tudor trilogy and concludes with the reign of Queen Elizabeth I.



Author Bio

Tony Riches is a full time UK author of best sellng historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and lives of the early Tudors. Tony's other publishedd historical fiction novels include: Owen -Book one of the Tudor Trilogy, Jasper - Book two of the Tudor Trilogy, Henry - Book Three of the Tudor Trilogy, Mary - Tudor Princess and Brandon - Tudor Knight. For more information about Tony's books please visit his website: tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches












Sunday, 4 August 2019

Sir Thomas Wyatt: Diplomat, Poet, Lover


Thomas Wyatt by Holbein the younger
Thomas Wyatt’s portrait suggests he was a discontented fellow. His eyes are troubled, mentally tortured even, his mouth down-turned, his cheeks sagging, as if he is tired of life and living.

But maybe we are swayed by the stories we’ve all heard of his unhappy marriage, his unrequited love for Anne Boleyn, his lovelorn poetry, his enforced exile, false imprisonment. But what do we really know?

Was Tom Wyatt really the tortured poet and lover that we like to think he was? There are plenty of known facts about him, placing him in a certain place at a certain date, clues we can pick up and learn from. There is the aforementioned portrait by Holbein, various letters and papers, a biography of Anne Boleyn, written by his grandson, George Wyatt…and, closest to his heart of all, there is his poetry.

Born in 1503, Thomas Wyatt was destined for life in the royal court, his father remained in high favour since his support of Henry VII at Bosworth, and Wyatt’s first recorded presence is in the entourage of the christening of Princess Mary. (A future queen, incidentally, who would one day be responsible for the beheading of Wyatt’s son after the Lady Jane Grey affair in 1554.)

In a dynastic power match Wyatt was married to Elizabeth Brooke in 1520, a union that, despite the birth of Thomas Wyatt the younger, proved both unhappy and unsuccessful. In later years Wyatt, after accusing her of adultery, parted company with his wife to live openly with his mistress, Elizabeth Darrell.
Henry VIII - the Chatsworth Portrait
One of Henry VIII’s esquires of the body, he became one of the King’s intimates, entering into the courtly pastimes--jousting, hunting and dancing. Like Henry, Wyatt wrote verses, an important component of the courtly love games that were so popular among the royal household. These poems were often left where a girl could find them, or offered as tokens; sometimes the poems were altered or embellished by another hand before being passed on. They were not published in his lifetime and in all probability never meant for close interpretation. Due to Wyatt’s central role in the story of Anne Boleyn however, history has decided otherwise.

It must have been during this carefree period of Henry VIII’s reign that Wyatt’s romantic interest in Anne Boleyn was first piqued. As part of Queen Katherine’s household Anne would have been fair game for Wyatt’s attention but, when it became clear that Henry had set his sights on the same target, Wyatt either withdrew or was sent by the king on a mission that took him away from court.  
Anne Boleyn: the Hever portrait
Most historians seem to agree that some sort of an attachment existed between Thomas and Anne but we can only guess at the extent of it. Some read a physical involvement into the poems but it seems to me to have been one sided.  Although there seems little doubt in the depth of Wyatt’s involvement, at the time he first began to make reference to Anne, she was engaged in a liason with Henry Percy, an affair that was quickly nipped in the bud by Cardinal Wolsey.
I am not skilled enough to judge the quality of Wyatt’s poetry but his particular choice of words and nuances of meaning can leave no doubt as to his state of mind. This is love if ever I saw it. A riddle, punning on the name ‘Anna’, points to the possible identity of his secret lady.



What word is that that changeth not,

Though it be turned and made in twain?

It is mine answer, God it wot,

And eke the causer of my pain.

It love rewardeth with disdain:

Yet is it loved. What would ye more?

It is my health eke and my sore.

It could, of course, be another Anna, it was a common enough name. It is not until you read all the poems as one unit that the argument for the object of his passion being Anne Boleyn becomes stronger.

The following poem is believed to have been written later, and the lines were altered at some point to make them less dangerous.  The line "Her that did set a country in a roar" was changed to read, "Brunet, that set my wealth in such a roar".  Obviously the initial reference to Anne was far too explicit, after all, what other ‘brunet’ of his acquaintance had ‘set the country in a roar?’
     If waker care, if sudden pale colour,

    If many sighs, with little speech to plain,

    Now Joy, now woe, if they my cheer disdain,

    For hope of small, if much to fear therefore;

    To haste to slack my pace less or more,

    Be sign of love, then do I love again.

    If thou ask whom; sure, since I did refrain

    Her that did set our country in a roar,

    Th'unfeigned cheer of Phyllis hath the place

    That Brunet had; she hath and ever shall.

    She from myself now hath me in her grace:

    She hath in hand my wit, my will, my all.

    My heart alone well worthy she doth stay,

    Without whose help, scant do I live a day.

Taken individually, Wyatt’s poetry could refer to anyone, it is not until you come to the most famous verse of all that arguments against it being Anne  begin to collapse. It could, I suppose, have been poetic licence or wishful thinking but surely, the words are too personal for that.  In my opinion these lines can only have been written by a man who has lived them and it is this poem that endorses all the others. There is no need, I think, to explain the meaning, Wyatt speaks as clearly now as he did then but he also illustrates, quite clearly, that the attachment was one-sided and, at least by the time that this verse was written, Anne belonged to Henry:

Whoso list to hunt, I know where is an hind,

But as for me, alas, I may no more,

The vain travail hath wearied me so sore.

I am of them that farthest cometh behind;

Yet may I by no means my wearied mind

Draw from the Deer: but as she fleeth afore,

Fainting I follow. I leave off therefore,

Since in a net I seek to hold the wind.

Who list her hunt, I put him out of doubt,

As well as I may spend his time in vain:

And, graven with diamonds, in letters plain

There is written her fair neck round about:

Noli me tangere, for Caesar's I am,

And wild for to hold, though I seem tame.

Another poem, possibly written after Noli Me Tangere shows Wyatt trying to reconcile himself to the fact that he has lost, trying to convince himself (and others perhaps) that his affection had been nothing but folly. But, all these years later, are we convinced? Or do the words smack of bravado? How many of us have shrugged our shoulders and said, ‘I never loved him anyway’?

Some time I fled the fire that me brent

By sea, by land, by water and by wind;

And now I follow the coals that be quent,

From Dover to Calais against my mind.

Lo how desire is both sprung and spent!

And he may see that whilom was so blind,

And all his labour now he laugh to scorn,

Meshed in the briars that erst was all to-torn.
Wyatt continued to serve the king. He was made High Marshal of Calais and Commissioner of the Peace of Essex.  In 1532 he accompanied the King and Anne, who was by then the King's mistress, on their visit to Calais and when the royal divorce was finally granted Anne Boleyn married the King in January 1533. Wyatt served in her coronation in June and in 1535 he was knighted but a year later, when Anne’s fortune turned, Wyatt’s former attachment for the queen almost dragged him down with her.

 It is said that he witnessed Anne's execution, from the window of his prison in the Bell Tower, writing a lengthy elegy to the men who died alongside her, and making no secret of his broken heart. He also remembered her in another verse, although he still does not dare to mention her name.

These bloody days have broken my heart. 

My lust, my youth did them depart,

And blind desire of estate.

Who hastes to climb seeks to revert.

Of truth, circa Regna tonat. (around the throne it thunders)

The bell tower showed me such sight

That in my head sticks day and night.

There did I learn out of a grate,

For all favour, glory, or might,

That yet circa Regna tonat.
Some say it was thanks to Cromwell that Thomas Wyatt escaped execution, but he may well have suffered the more for surviving. A diplomat as well as a politician, his subsequent career took him back to Europe where he became involved in intrigue and espionage, leading to his capture and ransom by Spain. His involvement in the attempted assassination of Reginald Pole led (somewhat ironically) to an accusation of treasonable contact with the king’s enemies and a second spell in the Tower.

 As a diplomat (some say spy) Wyatt was in constant danger, and wherever he travelled, he will have taken his memories with him. He doesn’t seem to have achieved happiness and some biographers have accused him of revelling in poetic misery. That may be a little harsh. It is easy to sit in our secure, warm environment and judge those who lived in tougher times. I think we can say Thomas Wyatt was a man who, although unfortunate in love, understood love. I think we can say he suffered for his love, and I think we can say he was a victim of the times he lived in – yet another victim of Henry VIII. He died of a fever in 1542, just six years after Anne and in a letter written to his son in 1537 he described his life as "a thousand dangers and hazards, enmities, hatreds, prisonments, despites and indignations"


A full account of Anne Boleyn's life, featuring her relationship with Wyatt can be read here.


I explore the relationship between Anne and Wyatt Here


Judith is the author of eleven historical fiction novels and is currently researching and writing the life of Mary Tudor, Queen of England.

author.to/juditharnoppbooks



Saturday, 2 February 2019

Jennifer C. Wilson NEW RELEASE!


In the Kindred Spirits series, we meet the ghosts of historical characters, in a range of contemporary settings. Have you ever wondered what Richard III and Anne Boleyn might have in common, what Mary, Queen of Scots is getting up to now, or what happens when the visitors leave some of the most popular attractions in the country? Well, here’s your chance!

In the fourth of the series, we’re heading to York, and a whole new community of ghosts are ready to greet us, including some visiting favourites, taking advantage of a much speedier transport system than they were ever used to…


Kindred Spirits: York
Release date: 31st January 2019
Publisher: Crooked Cat Books
Genre: Paranormal historical fiction
Blurb: In the ancient city of York, something sinister is stirring...
What do a highwayman, an infamous traitor, and two hardened soldiers have in common? Centuries of friendship, a duty to the town, and a sense of mischief – until they realise that someone is trying to bring chaos to their home.
Joining forces with local Vikings, the four friends keep an eye on the situation, but then, disaster strikes.
Can peace be restored both inside and out of the city walls?

Praise for the Kindred Spirits series
“A light hearted, humorous, and at times tender read which you'll enjoy whether you like history or not.”
“This light-hearted, imaginative read is a new take on historical fiction but make no mistake, this is not only a fun read but an educational tool.”
“A brilliantly unique idea from a distinctive new voice in fiction.”
“A darn good read.”



Praise for Kindred Spirits: York
Another joyous ghostly romp from the pen of Jennifer C. Wilson. The nightly ghost walks around the ancient city of York will never seem the same again after you read this – with its tales of kings and queens, saints and sinners (Dick Turpin and Guy Fawkes anyone?), spending their afterlives among the iconic streets and sites of the town they frequented in life. But this is no sleepy existence: unruly spirits are disrupting the lives of both the living and the dead. With Romans, Vikings, medieval warriors and traitors to the Crown never the most natural of companions, it takes little to stir them up to wreak some light-hearted ghostly havoc – until, that is, events take a shocking turn....
With early special guest appearances from some of my own favourite Yorkists (and a less-agreeable Tudor hanger-on) visiting a city they once loved, the book offers another sparkling cast of the dearly (not-quite) departed. What’s not to like? Except thinking once again ‘I wish I’d had that idea!’ – Alex Marchant, author of The Order of the White Boar.

I love this series and it’s going from strength to strength. This one was great, the author has created a little gem. From Richard III taking a day trip to Harry Hotspur, Dick Turpin and Guy Fawkes protecting their city, this is probably my favourite so far. Really looking forward to seeing where the author has us visiting next. – Amazon Reviewer.



About Jennifer
Jennifer C. Wilson is a marine biologist by training, who developed an equal passion for history and historical fiction whilst stalking Mary, Queen of Scots on childhood holidays (she has since moved on to Richard III). Enrolling on an adult education workshop on her return to the north-east of England for work reignited her pastime of creative writing, and she has been filling notebooks ever since.
In 2014, Jennifer won the Story Tyne short story competition, and has been working on a number of projects since, including co-hosting the North Tyneside Writers’ Circle. Her Kindred Spirits novels are published by Crooked Cat Books and her timeslip novella, The Last Plantagenet?, by Ocelot Press.
She lives in North Tyneside, and is very proud of her approximately 2-inch sea view.

Website:              https://jennifercwilsonwriter.wordpress.com/
Amazon:              https://www.amazon.co.uk/Jennifer-Wilson/e/B018UBP1ZO/
Facebook:           https://www.facebook.com/jennifercwilsonwriter/
Twitter:                https://twitter.com/inkjunkie1984


Wednesday, 19 December 2018

Christmas Giveaway!

It is Christmas! and I am happy to offer two paperback copies of Sisters of Arden, hot off the presses. All you need do is comment below on why you'd like to be one of the winners and your name will be entered into a draw. Please share on social media.



Arden Priory has remained unchanged for almost four hundred years. When a nameless child is abandoned at the gatehouse door, the nuns take her in and raise her as one of their own.

As Henry VIII’s second queen dies on the scaffold, the embittered King strikes out, and unprecedented change sweeps across the country. The bells of the great abbeys fall silent, the church and the very foundation of the realm begins to crack.

Determined to preserve their way of life, novitiate nuns Margery and Grace join a pilgrimage thirty thousand strong to lead the heretic king back to grace.

Sisters of Arden is a story of valour, virtue and veritas.


Excerpt from Sisters of Arden

1537 - Yorkshire


We run, heads down through the darkness, away from the cries of our dying friends and the sickening thud of their falling bodies.
Ducking through a garden gate, I cast about for a hay store or a tangle of bushes that might conceal us. Grabbing her wrist, I pull Frances into a briar patch, the thorns snagging and tearing at our robes and limbs. As we crouch in the dark, she trembles and wipes her wet cheeks on my sleeve. I can just distinguish her bone-white face and the stark terror in her eyes, and I am sickened with guilt that I have led her to this. Her life is now forfeit to my mistaken conviction that simple folk can make a difference.
I grope for God in the faithless void of my mind, begging that the king’s men grow tired of the hunt and ride away, back to their warm hearths, their laden tables, and their fragrant, sinful wives. Frances’ teeth begin to rattle, her breath faltering as her courage dwindles. I give her a gentle shake and put a warning finger against her lips, beseeching her to be silent, to be brave for just a little longer.
As the stealthy hooves draw closer to our hiding place, we hold our breath, sinking deeper into the undergrowth when he halts just a little way above our heads. The dank aroma of rotting vegetation rises; the tang of frost tickles my nose and pinches my toes. Frances trembles so violently it is indistinguishable from the juddering of my own body. I fumble for prayer, nausea washing over me as I fail to recall a single one.
 A creak of harness as the rider shifts in his saddle. I cannot see him but when the horse snorts, in my mind’s eye his breath mists the darkness, rising wraith-like in the night. I can feel the rake of the man’s gaze as he searches, seeking out our hiding place. My lungs strain fit to burst, my chest is aching, and I am ready to relinquish my freedom for just one blessed breath. The horse stirs, turns and moves away, and we fill our lungs with fresh damp air. We clutch hands as the vague hope of escape returns.
Then noise erupts with a harsh yelp. A hound is loosed and, with a furious growl, it crashes through the hedge. As I fall backward, I glimpse a lolling tongue, and yellow eyes stare briefly into mine; cold, murderous eyes. Frances’ scream shatters the night as the jaws clamp down upon her wrist.
“Let go! Let go!” I strike out with my bare feet, feeling the crack of bony ribs beneath a silken coat. The hound yelps but holds on fast, screaming aloud as I kick out again, hammering his head with my heels. The air fills with a confusion of hooves, screaming women, and triumphant male laughter as they lay hands upon us. As they drag me to my feet, Frances gives a loud unintelligible sound that breaks my heart.
“Please,” I beg, as my hands are wrenched behind me and roughly held. “We are nuns from Arden. My sister has done nothing. Take me, but … let Sister Frances go – she ... she doesn’t understand.”
A white dagger of agony flashes through my skull as my captor clouts me around the ear. My head rings and my vision blurs. Through a fog of pain, I realise they are hauling Frances from the ground, dragging us both rudely forward.
“Hold them,” the man on the horse orders, and their grip tightens as he slides from his saddle, hawks and spits on the ragged skirts of my habit before slowly unfurling a rope from his belt.
 The knots are tight about my wrists; my hands are numb. I cry out as the horse jolts forward and, tethered to the saddle, all we can do is follow him. Agonisingly, we retrace our route back the way we have come, through the hamlets and homesteads that earlier offered us shelter.
Our cause is lost. Our peaceful mission to bring England back to the true church has failed; doomed by the promises of a false king. In the lightening dawn, the slack-limbed, sightless bodies of those who aided us sway as we pass. The voiceless, lifeless men, women and children who dared to share our questioning of the king’s wisdom gape blindly at our passing.
 We will join them soon; our useless lives cut short, our fruitless existence ended in ignominy.
My throat grows tight. How have we come to this?


Paperback will be available on Amazon very soon. Also available on kindle

Merry Christmas Everybody!


mybook.to/sistersofarden
www.judithmarnopp.com
author.to/juditharnoppbooks

Saturday, 4 August 2018

A hidden gem in the Usk Valley



I have lived in Wales for more than twenty years now and, although I am still stumbling upon new treasures, there are some places that I find myself returning to time and time again. One of my favourites is Tretower Court.  It sits in the green Usk Valley between Abergavenny and Brecon, seemingly untouched, timeless.

When compared with the tourist hot spots like Pembroke and Conwy castles the site is small but this simply adds to the atmosphere. The noise of the traffic dwindles and all you can hear is birdsong and the sporadic bleating of sheep. A few years ago Tretower was little known and I’d find myself the only person there, with the ghosts of the past whispering in my ear.

Tretower marks the period when castles were abandoned in favour of more comfortable, less fortified homes. There are two distinct sites at Tretower, each as valuable in their own way as the other: the later medieval house and, two hundred yards to the north-west, the remains of the 12th century castle stronghold, the round tower being added later in the period.

Although the more domestic Court building was erected early in the fourteenth century, later additions to the Tower suggest that the stronghold was not entirely abandoned at this time. Should the house have come under attack the inhabitants would simply gather up their possessions, round up the livestock, and take cover behind the impregnable walls of the tower.

The earliest part of medieval house is the north range, which dates from the early fourteenth century. The masonry and latrine turret on the west end may even have been built as early as 1300. The four major phases of building can clearly be seen from the central courtyard as can the later modifications added as late as the seventeenth century. As you move from room to room, duck through low doorways, climb twisting stairways and creep into the dark recesses of the latrine turrets you are not alone. So much has happened here, so many people have passed through, so much laughter has rung out and so many tears have fallen. It is a jewel for any writer, I can smell the stories still waiting to be told.

A motte and bailey was raised by a Norman follower by the name of Picard. The property passed through the family’s male line until the fourteenth century when it moved, via the female line, to Ralph Bluet and then, again through the marriage of another daughter, to James de Berkeley.
His son, also James, became Lord Berkeley on the death of his uncle. Tretower was later purchased from James by his mother’s husband, Sir William ap Thomas. Sir William’s second wife, Gwladys, gave him a son, William Herbert, later the earl of Pembroke, who inherited both Tretower and Raglan Castle on his father’s death. Tretower was later gifted to William’s half-brother, Roger Vaughan the younger, around 1450.

Herbert and Vaughan both played important roles during the Wars of the Roses. William Herbert was both friend and advisor to Edward IV and his career prospered until 1469 when he was executed following the Yorkist defeat at Edgecote.

Roger Vaughan, who was responsible for most of the major reconstruction of Tretower Court, was knighted in 1464, and present as a veteran at Tewkesbury and finally captured at Chepstow. There, he was executed by Jasper Tudor in an act of vengeance for beheading his father, Owen Tudor, ten years previously. Tretower remained in the possession of the Vaughans until the eighteenth century when it was sold and became a farm.

Years of neglect and disrepair followed and it was not until the twentieth century that preservation and repair work began. The reconstructions at Tretower are beautifully done, the living history displays that take place there providing deeper knowledge of how the dwelling was utilised.


The garden with its relaxed medieval planting is as beautiful as any I have seen is this country. Laid out and designed by Francesca Kay, it has a covered walk way, tumbling with red and white roses, fragrant lavender, aquilega, foxgloves and marigold sprawl beside a bubbling fountain in the midst of a chequered lawn. 

I spent a long time here on a warm Sunday morning in July, wandering through the rose arbour, lingering in the orchard before returning to the house. As I progressed along the dim corridors I could almost hear the skirts of my gown trailing after me on the stone floors. I paused, and time was suspended as I looked through thick, green glass to the courtyard and garden below.







If you ever have the good fortune to visit Wales, make the time to call in at Tretower and don't forget to bring a picnic and a blanket for I guarantee you will want to linger.




More information about Judith Arnopp and her books can be found on her website:
http://www.judithmarnopp.com
or her author page author.to/juditharnoppbooks