Monday, 26 May 2014

Meet My Main Character Blog hop - Katheryn Parr, Henry VIII's sixth and last queen. 

The very fabulous Elaine Powell, author of The Fifth Knight, has tagged me in the Meet My Main Character blog hop. You can read her post here. Elaine Powell's soon-to-be-published novel is the sequel to The Fifth Knight, and her hero is once again mercenary knight, Sir Benedict Palmer.  Although he is fictional, many other characters and events are not. The sequel is called The Blood of The Fifth Knight. To read more about The Fifth Knight click on the cover link.

To follow me in the blog I am tagging Nigel Williams and Gillian Hamer.

My latest Tudor novel Intractable Heart: the Story of Katheryn Parr is available on Kindle now and the paperback will follow soon. I am very pleased to talk a little about Katheryn, Henry VIII's last queen.

What is the name of your character? Is he/she fictional or a historical figure/person?
I think most people recognise the name Katheryn Parr. She was Henry VIII’s sixth and last wife. We first meet her in my novel during the Pilgimage of Grace when she is the wife of John Neville, Lord Latimer and their castle is under siege by rebels. Although Katheryn is only a young woman, she steps up to the challenge, defending the castle and her two step children John and Margaret as best she can.

When and where is the story set?
Oh dear, I’ve rather given that away already. The novel is set at the court of Henry VIII in Tudor England. The scene shifts from Yorkshire during the Pilgrimage of Grace to the royal palaces of the south of England, and also stops off at Portsmouth to witness the sinking of the Mary Rose.

What should we know about her?
Katheryn is very clever. In a world of limited female literacy she is multi-lingual and publishes religious books in support of the reformation of the church in England. Despite their religious differences the King demonstrates his high regard by setting her up as regent while he wages war on France. Once gain Katheryn accepts the challenge although she is beset by enemies.

What is her main conflict? What messes up her life?
Husbands! Poor Katheryn had four of them! Katheryn’s mother, Maud Parr was very ambitious and secured her children excellent spouses. Her eldest William was married at a young age to Anne Bouchier who embarrassed the family by taking a lover and giving birth to a string of illegitimate children. Their marriage ended in annulment but it was a long and bitter battle. Katheryn fared much better. Her first marriage to Sir Edward Borough ended with his unexpected death after just a few years and she later remarried John Neville in 1534, becoming Lady Latimer. Latimer was twice her age but the relationship seems to have been amicable and she took his children under her wing and was genuinely fond of them, particularly Margaret. He died in 1543 leaving Katheryn a wealthy widow.
As a young attractive widow she had no trouble in forming a relationship with Thomas Parr and the pair were set to marry until she caught the eye of the ageing king. It isn’t possible to refuse marriage to a monarch, especially one like Henry. Katheryn’s conflict was to put away her feelings for the brash, handsome Thomas Seymour and submit to the demands of the fat, malodorous and very dangerous king. Quite a challenge.

What is Katheryn’s personal goal?
She puts away the idea of romantic love after her marriage to Henry and turns her attention to being a good queen and mother to the king’s children. Much of her energy is spent in support of the reformation of the church
Katheryn’s strength of character helps her overcome her sorrow at losing Thomas and make the best of her life with Henry. Although his health is failing she has no idea what the future might bring but she wastes very little time wishing things are different.
Of all Henry’s wives she emerges as the capable one: the one who manages Henry the best, and the one with the intelligence and determination to be more than just a wife and fill the role of ‘consort’ in the fullest sense of the word.

Is there a working title for this novel, and can we read more about it?
Intractable Heart. The title is taken from Katheryn’s book Lamentation of a Sinner in which she laments her ‘obstinate, stony and intractable heart.’ Although she uses the words in religious terms I think they sum Katheryn’s character up rather well. Married four times, her first three marriages are all successful; it is her fourth union, the only one which is forged from love that proves to be her downfall. Seymour becomes Katheryn’s beloved nemesis.

When can we expect the book to be published?
Now! It is just out on Kindle now and the paperback will follow as soon as possible. It should be with you VERY soon – if the fates are willing. Click here to buy.

Photographs from WikimediaCommons

To view my other books click on the links below:

Saturday, 24 May 2014

Pauline Montagna Hunting in Medieval Italy

Today I have the pleasure of Pauline Montagna guesting on my website. Pauline was born into an Italian family in Melbourne, Australia. After obtaining a BA in French, Italian and History, she indulged her artistic interests through amateur theatre, while developing her accounting skills through a wide variety of workplaces culminating in the Australian film industry. In her mid-thirties, Pauline returned to university and qualified as a teacher of English as Second Language, a profession she pursued while completing a Diploma of Professional Writing and Editing. She has now retired from teaching to concentrate on her writing. As well as The Slave, she has published a short story collection, Suburban Terrors.Today Pauline talks to us about hunting in Medieval Italy

La Caccia: Hunting in Medieval Italy
Italians have always loved hunting or la caccia. It’s the reason why one sees so few birds in Italy these days apart from the ubiquitous pigeon, though there was a time when Italian hunters disdained such small fry. Their quarries of choice in the Middle Ages were the hart and the boar.
Hunting was not just about the meat, or even the sport. It was about the exercise, about keeping men in trim and in form for war. It was also a social occasion, preceded and followed by good food, wine and jollity, by boastful arguments about one’s exploits and the joyful consumption of the kill with one’s family, peers and dependents. And, with the symbolic linking of the hunt with seduction, it provided a thrilling setting for amorous dalliance.
Each type of prey had its season. The boar was hunted in winter, from September to February, the hart in summer, from June to September, the fox in spring, from March to June. The hare was also hunted in spring from March to April, though in some parts there was no closed season on this small but fast and wily animal, ideal for keeping one’s hand in during the off-season. In the remote hills, bear might be hunted when the snows had cleared, from May to December, while the wolf might be chased down all through the winter months from September to March.
The larger beasts of prey were hunted ‘par force’, with hounds and horses. A variety of hounds were used such as the swift-footed greyhound, the burly little running hound, the handsome, smooth-coated alaunt and the huge mastiff. Smaller prey and birds might be hunted with the aid of tamed falcons and hawks.
The hart, a mature male deer, was the largest prey to be hunted. This elegant animal could be gentle, timid and wily, yet with its broad spread of antlers could easily kill a hound or a man. Once the hounds had been loosed to follow the scent, the hunters would set off in pursuit, the beaters on foot, the lords in the saddle, listening for the baying of the hounds far ahead of them and the bellow of the horn that would signal when the hart was sighted, chased over field and through forest, and then held at bay by the hounds.
This was perhaps the most dangerous moment, when the great beast, worn down and desperate might use its waning strength to turn on man and dogs. Yet the hunters would hold their hounds back, for it was only the lord himself who had the privilege of killing the noble beast, bringing him down, perhaps with an arrow, before finishing him off with a sword through the heart.
Then once more the horns would be sounded to signal the kill. The lord would turn up his sleeves to ceremoniously begin butchering the hart, rewarding the hounds with offal or bread mixed with blood. The dead beast would be carried home with great fanfare, offered to the women of the family as the spoils of manly exploits.
But by far the most dangerous prey was the boar. This massive, ugly beast was generally black, with wide malevolent eyes, its mouth horrific with bristles and teeth, flanked by curved, gleaming tusks. Though not as subtle and evasive as the hart, the boar was fearless, impervious to pain, could call on boundless stamina and unrelenting ferocity and was capable of bringing down a horse as easily as a man or a hound.
A boar could be found rooting about for fruit in an orchard or acorns in a forest. More often than not it would turn on the dogs that found it, attacking them repeatedly before turning to run so hard and long that relays of fresh hounds would be needed to keep up with it. Once it was cornered, both hunter and horse would need the utmost courage and dexterity to approach it. Quick reflexes and calmness were essential as the hunter watched the boar’s eyes to predict its movements before lunging with sword or spear. Miss and the boar could kill them both.
Falconry enjoyed a revival in fourteenth century Italy. In this sport the hunter could develop a
personal relationship with his hawk, getting involved in the raptor’s taming and training, flying with it in spirit as it left his arm and soured, free and independent, swiftly and deftly bringing down its prey. Hawks were used to hunt small game such as rabbits and hares, low-flying land birds such as partridges and pheasant, as well as aquatic birds such as ducks and herons. Dogs might also be brought along to retrieve the larger game.
Falconry was one form of hunting in which ladies could indulge, carrying their own smaller raptor such as a falcon, into the field. Although it was rare, women might also participate in hunting ‘par force’, though they would be restricted to riding on the new-fangled side saddle and, of course, be expected to watch the kill from afar.
You can read a vivid description of a deer hunt in my novel, ‘The Slave’: (Join my mailing list by May 31 to get your own free complimentary e-book copy of ‘The Slave.’)

The stable yard was a confusion of noise and movement when Aurelia emerged from the house in the early morning light of a warm summer day. Restless horses stomped backwards and forwards, turning on themselves, their masters pulling at the reins to keep them in check. Dogs bayed, straining at their leashes, held in packs by their keepers who pulled them back, shouting at them to heel. Peasants conscripted as hunters and beaters stood in groups, talking and laughing, leaning on staffs or long bows. Loud voices shouted out orders and warnings. Servants ran hither and thither with flasks of wine to serve drinks to riders and huntsmen alike. Confounded, Aurelia looked around for her own horse. 

Find out more about Pauline and her books on her website
‘The hound and the hawk: the art of medieval hunting’ by John Cummins (1988)
Images from Wikimedia Commons

Aurelia Rubbini, the only child of a rich merchant in fourteenth century Italy, has been raised to be a dutiful daughter, wife and mother, but she longs for something more than the restricted life intended for her. Then one day, her father brings home from a buying trip an Asian slave boy, Batu, who will reshape Aurelia’s destiny.

Aurelia and Batu are inexorably drawn to each other, but their relationship is forbidden as Aurelia is destined for an arranged marriage to further her father’s political ambitions. When Aurelia marries Lorenzo de Graziano, a nobleman with a dangerous reputation, Batu insists on going with her for her protection. But Batu’s presence arouses violent passions that Aurelia, in her innocence, can never understand.

Short Description

Aurelia Rubbini, the only child of a rich merchant in fourteenth century Italy, has been raised to be a dutiful daughter, wife and mother, but she longs for something more than the restricted life intended for her. Then one day, her father brings home from a buying trip an Asian slave boy, Batu, who will reshape Aurelia’s destiny.