Judith is the author of twelve historical novels: The Heretic Wind: the life of Mary Tudor. Sisters of Arden, The Beaufort Chronicle (three book series), The Winchester Goose, The Kiss of the Concubine, Intractable Heart and A Song of Sixpence. Medieval novels are Peaceweaver, The Song of Heledd, and The Forest Dwellers. All In paperback and on Kindle and some are on audible. Judith also writes historical blogs and articles. Find out more on www.judithmarnopp.com
I wake suddenly in the early hours, certain
that something is wrong. It is as if something has shifted, irreversibly
altered, and my sense of danger increases. Sliding from the bed, I tread
carefully across the floor, making as little noise as I can to avoid waking my
woman. Carefully I open the shutter and the moonlight floods into the room.
The moon floats benignly in the night sky,
leavening the dark, painting the slumbering, snow-laced garden, a silvery blue.
I shiver, hug myself and turn away. A jug of wine stands on the night table and
I fill a cup, the liquid cool from the chilly nocturnal air. As I grope my way
back to bed, my woman stirs and yawns, her long bare arms pale in the
“Are you all right, Your Majesty? Can I get
“Not unless you can bring me peace of mind.”
It is a poor attempt at a joke. She stumbles from her truckle bed and helps me
settle, tucking the sheets tightly around me.
“I am sure the king will recover, Your Majesty.
He always has before.”
She is young; so young that she has never yet
been wed, let alone known the trials of widowhood or the vulnerability of being
a woman alone.
Obediently, I relax on the pillow and appease
her with a hollow smile. “You get some sleep,” she says and, forgetting that
she is here to do my bidding, I close my eyes.
Her bed creaks as she climbs back in. She
turns over, thumps her pillow a few times and within moments is snoring again.
Wide awake in the darkness, I listen to her laboured breathing and think of
Henry’s passing. What will his death mean to me, and where will life take me next?
As soon as I am dressed in the morning I hurry
along to Henry’s apartment but, once more they halt me at the door.
“I need to see my husband,” I demand with as
much authority as I can muster. But I am met with a steely refusal. I press my
lips together, suppressing my fury. “Then send Denny out. I will speak with him.”
After being kept waiting for too long the
door opens a crack and Denny slips out. Reluctantly he pulls off his cap and
makes a sketchy bow. I have always hated people who refuse to look me squarely
in the eye.
“This is outrageous, Denny. I would speak to
my husband. If he is likely to die then I want to say goodbye. Surely, I can
just sit quietly and hold his hand?”
“He is too sick for visitors, Your Majesty.
His physicians have advised against it.”
We draw aside as a troop of servants appear
bearing trays of food, the King’s taster comes hurrying along behind.
I watch them disappear unchallenged into the
“I see he is well enough to eat, so why is he
too sick to see me?”
Denny inclines his head, infuriatingly calm
in the face of my simmering rage. I bury the urge to slap him.
“The king must keep his strength up. I shall
send for you the moment he asks to see you.”
“You will send for me the moment he wakes
Denny closes his eyes and bows his head in
silent agreement. I swallow the snub, turn on my heel and march back to my own
apartments where, safe in the company of friends, I give way to a storm of
For three days I continue in a sort of void.
My household continues much as usual but I am detached from it. I cannot join
in with the dancing, nor laugh at the antics of the fools. I curl in the window
seat with Homer and Rig, let my fingers travel through their warm coats and
look out across the frigid garden. There is nowhere warm in the world, my very
existence lacks comfort. I will find no security or safety in this world. Not
Through green distorted glass I see the
fountain where Henry and I walked so often. It is stilled now, the water frozen
in a thick wave at the rim; the usually rippled surface solidified. Stopped.
the path, naked shrubs cast skeletal fingers to heaven and birds forage
fruitlessly in the fallen leaves beneath the bare hedge. With a heavy sigh I
turn back to my book which is open on the sill beside me but it does not hold
my interest. Nothing does.
My ladies are sorting silks on the table
ready for a new project. Respecting my
mood, even if they do not understand it,they keep
their voices low. Rig wakes and stretches, shows me his pink tongue and sharp
white teeth. He stands up and stretches, his entire body stiff, then he shakes
himself, scattering me in hair, before sitting down and proceeding to lick his
Homer growls suddenly.
Footsteps, voices at the door, and Cranmer is
announced. My face begins to relax into a smile as he inches toward me, but
then I notice his face is white, his eyes are pink-rimmed.
“Your Majesty.” He bows formally low and I
know his tidings before he speaks of it.
“He is dead, isn’t he? The king is dead!” My
words end in a sob, born of fear and a huge sense of loss.
“Yes, Your Majesty. Three days hence.”
Shock and anger replaces the burgeoning of my
“Three days? But …but, he can’t have been
dead that long. He was alive when I tried to see him yesterday. Denny said he
would summon me when he woke … I-I have been deceived, haven’t I, Thomas? They
lied to me.”
The realisation of their deceit sickens me as
Cranmer regretfully closes his eyes, slowly inclines his head.
“The council thought it best, Your Majesty,
to get things in order …”
“Council? What are you talking about? Why
wasn’t I summoned at once? As Edward’s guardian, I am to be regent. Henry told
“Alas, Your Majesty, during the last days of
his life the late king made certain changes to his will. Instead of a regent or
a protector he elected a council.”
So that is
what they were doing. That is why they kept me from him. I look into Cranmer’s eyes. They are full of
regret, sorrow that he has to speak words that will injure me.
“What other changes did he make?” My lips are
tight. I know the answer already; he has no need to give voice to it. I am
dismissed. My regency and my step-son are stolen from me. I am powerless and,
if this newly-formed council have anything to do with it, probably destitute.
16th February 1547
I am dressed in a blue velvet gown, a widow’s
ring is pushed onto my finger and my head is covered in a veil. It is cold; so very
cold in the Queen’s closet from where I observe the internment of Henry’s body
in St George’s Chapel at Windsor, beside his third wife, Jane.
It is not easy to listen to the droning Latin
rites of the old religion. It is as if Henry never questioned the old faith,
never moved away from Rome and all its heresy. My heavy heart is full of anger
as I hear but do not engage with the ceremony.
The people cannot see me. I am not part of
the rite. It is as if I no longer exist. As Queen Jane steps from the dark to
reclaim her husband I am rejected. Yet Henry loved me. I eased him through his last years; distracted him from
his pain, and did my best to bear his child. He would not want me to be so
The court has become a friendless place.
Hertford’s wife, Anne Stanhope, who has ever hated me, snubs me at every turn.
No longer constrained to pretend to love me she promises to be trouble in the
future. Her new powers, or those of her husband who has claimed the protection
of the new king, will ensure that others follow her lead. My future looks very
Henry has not left me penniless. I still have
many houses and could retire from court altogether. Perhaps I will repair to
Chelsea or Hanworth, and hold a small court there, inviting only those who love
me. But I am still queen and will remain so until my death, if only I can persuade
someone to acknowledge that fact. I begin to observe those around me and count
my real friends on my fingers.
Once the service is done with a heavy heart I
take a private way back to my apartments. I am glad to reach the solitude of my
own rooms. Full of sorrow and lacking any hope for a bright future, I pull off
my veil and throw my prayer book on the bed.
As Anne and Dorothy help me from the heavy
clothes and into a loose gown I stand dejected. I have no idea what to do, or
where life will lead me now. The women are hovering by the door. “Leave me for
a while,” I say. “I would like to be alone.”
Anne frowns. “It isn’t good for you to be on
your own. Shall I sit with you? I promise not to talk.”
“No. no, thank you.” I try to soothe the
rejection with a smile and reluctantly she backs away, follows the other women from
the room and closes the door.
I sink onto the floor before the fire and
click my fingers for the dogs but they are nowhere to be seen. I suspect one of
the women has taken them into the garden but even so I feel Homer and Rig have
deserted me too.
With a ragged sigh, I rest my cheek on my
palm and gaze into the fire. There are dragons and sprites in the flames. It is
another world; a world I visited as a child. A realm without rules, or kings,
A rush of wind as the door opens and swiftly
closes again, a footstep sounds behind me. I raise my head.
I scramble to my feet and stand in disbelief
that he has been so bold as to come. My voice is unfriendly and defensive.
“How did you get in here?”
“Anne let me in.”
He hesitates, uncertain of his welcome. We
regard each other for a long moment, both unsure of what this meeting means. Uncertainty
does not sit well on him but on the outside at least, he has not altered. He is
still tall and strong, still handsome. As he draws nearer I catch the
remembered fragrance, and the years tumble away, as if they have never been.
I try to fight it but grief and loneliness
make me weak. I should send him away at once, call the guard and have him
thrown from my presence.But he is a
friend, in a friendless world. I fumble to remind myself I am queen and he is
far beneath me.
“I gave orders I was not to be disturbed…”
“Perhaps your sister knows you better than
you know yourself.”
At the glimmer of his old bravado, I step
away, increasing the gap between us, and turn toward the fire. But he catches
my wrist, takes my hand to his mouth and kisses my fingers … and at his touch my
Siobhan Daiko is a new (to
me) author I’ve been enjoying. I read her first novel In my Lady’s Shadow last
year and am looking forward to The
Orchid Treewhich was inspired by her childhood in post war Hong Kong.
Her grandparents had been
interned by the Japanese in the ex-colony from 1942 to 1945, and it was while Siobhan was researching their life in the internment camp that the idea for the
novel was born. She wanted to bring alive a time and place that no longer exists,
but one that will forever be in her heart.
Blurb from the back cover of In My Lady's Shadow:
Grappling her own demons and the after-effects of a disaster, Fern battles to keep hold of her sanity as she is snatched back in time and lives the life of Cecilia, a young woman at the court of Queen Caterina Cornaro, near Venice, in the early 16th century. Luca, a local architect, comes to Fern's aid when Cecilia embarks on a passionate affair with the artist Zorzo. Echoes of the past manifest themselves increasingly in the present through a series of startling coincidences until past and present collide.
Blurb from the back cover of The Orchid Tree:
Fifteen year-old Kate Wolseley lives a rarefied life of wealth and
privilege in the expatriate community. But when the Japanese take over
the colony in December 1941, she’s interned in squalid Stanley Camp with
her parents. Forty miles away, in Macau, Sofia Rodrigues’ suspicions
are aroused when her father invites a Japanese family to dinner, an
event which leads to a breach between Sofia and her controlling
half-brother, Leo. Enduring cramped conditions, humiliation, disease,
and starvation, Kate befriends seventeen-year-old Charles – who’s half
Chinese - and they give their hearts to each other under the orchid
tree. Can their love survive the war?
In December 1948, Kate returns to Hong Kong, determined to put the
past behind her. Sofia dreams of leaving Macau and starting a new life,
and she won’t let anyone, not even Leo, stop her. A young Englishman,
James, becomes the link between Kate and Sofia. The
communist-nationalist struggle in China spills over into the colony,
catapulting the protagonists into the turmoil with disastrous